Name: Taylor 724ce Grand Auditorium
Brand: Taylor
SKU: 724CE
Price: 41990 SEK
Availability: InStock

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Hawaiian Koa Top
Hawaiian Koa Back and Sides
Tropical Mahogany Neck
West African Crelicam Ebony Fretboard
Expression System® 2 Electronics
Venetian Cutaway
Taylor Deluxe Hardshell Brown Case
Scale Length: 25-1/2"
Tuners: Taylor Polished Bronze
Nut & Saddle: Tusq
Bracing: V-Class Bracing
Top Finish: Matte
Neck Width: 1-3/4"
Neck Finish: Matte

The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You’ll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that’s complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.

Grand Auditorium

Body Length: 20" / Body Width: 16" / Body Depth: 4 5/8"
Taylor's signature shape embodies the ultimate all-purpose acoustic.
An original Bob Taylor design introduced in 1994
Full in the lower register, present in the midrange, and sparkling on the treble strings
Our most popular shape and a good place to begin your search

Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Hawaiian Koa
Origin: The Big Island of Hawaii
Used On: Koa Series and 700 Series

Koa's tone profile blends the midrange of mahogany with the top end of maple. Due to its density, a new koa guitar tends to start out sounding a little bright and tight, somewhat like maple. But the more a koa guitar is played, the more the sound opens up, expanding the midrange and rewarding the player with a richer, sweeter, more resonant tone. A common mistake is when a bright player buys a koa guitar in part for its visual beauty, finds it to be too bright, and doesn't play it enough to allow the wood to warm up.

Goes Well With: Fingerstylists who play more with the pads of their fingers and tend to have a meatier touch. Bright players may want to experiment with different pick materials to produce a warmer tone.

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Taylor 724ce Grand Auditorium

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